ArcticStartup

Business Models For Music That Make Artists Happier

Editor’s Note: The guest blog is by Oscar Santolalla Obenhausen. Oscar holds M.Sc in Computer Science at the Helsinki University of Technology, with the specialization in Mobile Computing and Security and currently works for Tuxera.

Music CDs are becoming obsolete in digital music’s favor (especially MP3 files). Today it is very easy to find free streaming, to buy lots of music for a comparatively small price (Spotify, Nokia comes with Music), or to pay only ten Euros per album (iTunes store, Amazon.com). Music seems to inevitably become free, or nearly free. What’s more, online music sites are full of integration capabilities with social media. This creates a delightful environment millions of listeners.

But, what about the artists? Are they as happy as listeners with this new way of how things work? What about independent artists? From a new artist’s perspective, there are indeed plenty of ways to reach a wider audience worldwide. However, this is not necessarily reflected in getting meaningful profits.

As a matter of fact, the music industry drastically changed compared to few years ago. Recording companies are resigned themselves to have less and less profits per sold record, and as consequence of this the artists will receive smaller incomes from royalties. A key point is that the main source of revenue for musicians is not selling music anymore. Nowadays concerts and merchandising are becoming their main source of revenue, so these must be somehow involved in the online music business models.

Here are five identifiable online music services that address this new artists’ dilemma. The list covers only companies with origin in our “arctic” area of the globe.

If I am a new or independent artist, what can these services do for me?

In Spotify you can…

In Gogoyoko you can…

In Hitlantis you can…

In Gigswiz you can…

In Mobilebackstage you can…

These services one way or another are really great for artists! I am looking forward to knowing about successful business models like these. And, the most important thing, let’s hope the artists can profits from it.

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